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Irish / American actor, film director , producer and screen writer ,#hollywood #movies.

May 11, 2018, 27 tweets

๐Ÿต#MaxfieldParrish๐Ÿต

American illustrator & painter Maxfield Parrish was perhaps the most popular commercial artist in the United States in the first half of the 20th century.

Dinky Bird by Maxfield Parrish, 1904 swing

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Very Little Red Riding Hood (1897} shows a very stylized take on the female form & face that is in keeping with the era. The red cape of the story takes center stage in both color & design.

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Around the turn of the 20th century as a commercial artist Parrish created many posters, magazine covers & book & advertising illustrations.

Maxfield Parrish- Mary, Mary, Quite Contrary - 1921 - Ferry Seeds

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

He also painted murals. By the 1920s he was the highest-paid commercial artist in the United States.

Palace Hotel, San Francisco - 1905 mural of the Pied Piper

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Maxfield Parrish - The Lantern Bearers

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Maxfield Parrishโ€™s signature blue is showcased in the night sky of this Harperโ€™s Bazaar lithograph from 1914 of Cinderella.

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Parrishโ€™s popularity began to decline in the late 1930s, but his illustrations never lost favor & there was a renewed appreciation of his work in the 1960s and โ€™70s.

DayBreak 1922

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Parrish is best known for his depictions of fantasy landscapes populated by attractive young women.

The figure inย Stars (1926) is presented as natural, lovely & almost abstracted.

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Lady Violetta and the Knave (1923)
ThIs illustration appeared in Louise Sanderโ€™s book. The saturated almost glowing color of the work is due to Parrishโ€™s use of translucent glazes.

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

He used meticulously defined outlines and intricately detailed, natural backgrounds, and his unusual colors give his pictures a dreamlike and idyllic atmosphere.

Maxfield Parrish - Prometheus - 1919

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

George Lucas is an avid collector of his paintings, some of which are displayed beautifully at SkyWalker Ranch Main House.

Ecstasy - Maxfield Parrish

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Origins of Star Wars: The Case for Maxfield Parrish

thegameofnerds.com/2017/04/16/oriโ€ฆ

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Additional reading for a deeper dive.

Maxfield Parrish - 1870โ€“1966

americanillustration.org/project/maxfieโ€ฆ

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

The Art of Maxfield Parrish

nytimes.com/2016/01/24/nyrโ€ฆ

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

The Knave of Hearts, another illustration from Louise Sanderโ€™s book.

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Frog Prince

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Norwich Landscape

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Girl with Elves

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

The Glen

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Romance - 1922

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Early Autumn White Birch

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Reveries

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

The Story of Snow White - 1912

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

Arizona by Maxfield Parrish, 1950

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

"Riverbank Autumn"

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

๐Ÿต#MaxfieldParrish๐Ÿต

If you like this โœ”๏ธout #PopArt, #GermanExpressionism, #PreRaphaelites, #Dadaism #Surrealism. #Bauhaus & #AshCanSchool #Fauvism #Futurism #Vorticism #Supremacism

Next up? Mannerism or Baroque - stay-tuned!

๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ๐Ÿต๐ŸŒณ๐Ÿ”ฎ๐ŸŒณ

#PAM #PAMFAM #MaxfieldParrish

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