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Aug 19, 2018 β€’ 24 tweets β€’ 8 min read β€’ Read on X
Today marks the 76th anniversary of the Dieppe Raid. It's a great example in why it's important to cite your photography sources whenever possible. Wanna know why? Thread πŸ‘‡πŸΌπŸ‘‡πŸΌ
Photograph is: Personnel landing craft draw away from a motor torpedo boat to start their run-in to the beaches during the raid on Dieppe, unattributed, August 1942, LAC MIKAN 3194301 #Dieppe
In 1939, the Canadian Army didn't have a plan for how it would hire photographers. January 1940, the Public Relations Office (PR) is set up in London. They are able to begin hiring photographers.
In 1941, the Canadian Army Film Unit is established, and includes even Hollywood cameramen like @Campbell1944. The two organizations, photography & film, merge in 1943 to become the Canadian Army Film and Photo Unit (CAFPU) #warphotos
But by summer 1941, most of the photographers and cameramen (not merged yet) haven't had an opportunity to photograph real battles. Dieppe represented their first chance to do so. Photographer Frank Royal and cameraman Alan Grayston are selected to do the job.
Sergeant Alan Grayston of the Canadian Army Film and Photo Unit filming a Canadian demonstration of German infantry tactics, Polegate, England, 28 March 1943, photo by Jack H. Smith, LAC MIKAN 3210377
Days before the #DieppeRaid, Grayston was re-assigned. Instead, the British PR office is allowed to send 4 cameramen and a photographer.
According to historian Dan Conlin, who interviewed many CAFPU members in 1986, Grayston got drunk and went to his commander, Jack McDougall's office. He waved around his pistol around and took a few shots (no one was hurt).
Grayston was incredibly well-respected for his talent as a cameraman, and he was simply demoted to the rank of Private for a month.
Frank Royal was the only Canadian photographer who sailed off to #Dieppe to photograph the Raid. However, the chaos that ensued meant that he couldn't even make it off his ship.
Photograph is: Infantrymen of The Queen's Own Cameron Highlanders of Canada going ashore during Operation Jubilee, 19 August 1942, unattributed, LAC MIKAN 3194300 #warphotos
So if Frank Royal was the only Army photographer at #Dieppe, why are these photographs not attributed to him? 2 reasons: LAC's metadata for WW2 photographs is incomplete. Fair enough! The collection is enormous and they're plugging away on records from WW1.
The other reason: the Army had a crew of photographers, but the RCAF and RCN both had their own photographers too. The images tend to be intermingled at LAC, meaning if a navy photographer was on board that day too, he could have taken some of the photographs.
But since no Canadian photographers landed at #Dieppe, the moral of this story is that all of the images you see on the beach and in the town tend to be by German photographers.
Photograph is: Damaged Churchill tanks of the Calgary Regiment on the main beach at Dieppe, ca. 1942, German photographer, LAC MIKAN 3195154 #Dieppe
View looking east along the main beach at Dieppe, showing damaged Churchill tanks of the Calgary Regiment, ca. 1942, German photographer, LAC MIKAN 3195155 #Dieppe
It is of crucial importance to recognize who took a photograph. No photograph is a mere recording of events - it is what an individual chose to capture, just like what an artist chose to paint.
In this context, it is important to know that the German photographer portrayed Canadians in a way that no Canadian Army photographer would have done for news images - with dead bodies sprawled on the ground. Cdn WW2 photogs felt this was unethical.
Canadians avoided capturing their own dead, but it wasn't impossible. Sgt. George A. Game operating his camera near San Leonardo di Ortona, Italy, 10 December 1943, photo by Frederick G. Whitcombe LAC MIKAN 3237911
Game couldn't avoid shooting in a field of dead bodies, but he said he kept a copy of this photograph with him for the rest of his life.
There aren't many historians that talk about the history of the Canadian Army Photo Unit, (most studies are on the Film Unit), but you can learn more about both by reading: Sarah Klotz, Timothy Balzer & Dan Conlin. Also check out Dale Gervais' website: canadianfilmandphotounit.ca
Alright, let's wrap this thing up with some images. Including one of my absolute favs: [Wounded Canadian troops boarding a vessel after raid on Dieppe, France, 19 August 1942.] unattributed, LAC MIKAN 4976317 #Dieppe
No.4 British Command (Lovat Scouts) returning after Dieppe raid to New Haven,
unattributed, LAC MIKAN 3207119 #Dieppe #WarPhotos
Capt. J.C.H. Anderson, of the Royal Regiment of Canada, discusses his experiences with a Canadian brigadier after returning wounded from the operation, August 19, 1942, unattributed, LAC MIKAN 3378926

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More from @CarlaJeanStokes

Aug 16, 2018
I mentioned before that Rider-Rider shows us quite a few captured POWs during #Amiens, but he also shows us captured guns. LAC MIKAN 3397896 & 7887.
For the gear heads in the group: 7.7cm FK 96 n.a. field gun, colloquially referred to as a "whizz-bang" b/c of the sound of the shell in the air & detonating, and a 15 cm sFH 02 heavy howitzer since claimed by the 13th Battalion (Royal Highlanders of Canada).
I pulled that right off of LAC because I'm not an arms expert. If the info is wrong, don't @ me. Email LAC and tell them to update their records πŸ€“πŸ˜‚
Read 4 tweets
Aug 8, 2018
Aug 8 marks the 100th anniversary of the beginning of the Battle of #Amiens. This battle ushered in the #HundredDays offensive and saw some of the most decisive victories of the war #thread πŸ‘‡πŸΌπŸ‘‡πŸΌπŸ‘‡πŸΌ
Photograph is: "Scene at Field Ambulance Dressing Station," by William Rider-Rider, August, 1918. LAC MIKAN 3397054 #Amiens100
The Hundred Days also saw the culmination of William Rider-Rider’s career as Canada’s third and final official photographer. (seen here in: [Portrait of William Rider-Rider, ca. 1917, unattributed, @I_W_M Β© Q 113992).
Read 18 tweets
Aug 1, 2018
William Rider-Rider documents wounded arriving at a Canadian Field Dressing Station during the Battle of Amiens. August 8-12, 1918 LAC MIKAN 3397055 #warphotos #FWW πŸ‘‡πŸΌπŸ‘‡πŸΌ
Rider-Rider's photographs from July 1918 represent a regression to the static behind-the-lines documentary photographs Harry Knobel had taken in 1916. They show us subjects like distinguished visits, the dentist and men getting haircuts.
Completely reminiscent of Harry Knobel's photographs showing us camp cooks and soldiers at rest billets.
Read 4 tweets
Jul 24, 2018
Thomas Keith Aitken was back in the Bois de Reims #onthisday in 1918, photographing the Battle of Tardenois. He took (at least) 16 photographs, and below are some highlights πŸ‘‡πŸΌπŸ‘‡πŸΌ #warphotos #thread
Photograph is: Men of the 2nd Battalion, King's Own Yorkshire Light Infantry (62nd Division) examining a captured German Maxim 08/15 (Spandau) machine gun with French and Italian officers. Β© IWM (Q 11107)
War photographers like Aitken frequently demonstrated Allied success in the photographs by showing us equipment taken from the Germans. Here are men of the 62nd btn again with a Maxim 08/15, Β© IWM (Q 11104).
Read 10 tweets
Jul 23, 2018
Thomas Keith Aitken was also out making photographs on 23 July 1918 - #thread πŸ‘‡πŸΌπŸ‘‡πŸΌπŸ‘‡πŸΌ
Battle of Tardenois. British (62nd Division) and French soldiers in action in Bois de Reims, Β© IWM (Q 11110) #warphotos #FWW
Battle of Tardenois. French troops and a soldier of the British 62nd Division escorting German prisoners who are bringing back British and French wounded. Bois du Reims, Β© IWM (Q 11099)
Read 6 tweets

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