.@fletchlivesaf is reading Dreamland by @samquinones7, an "exploration of how heroin was able to take hold of middle class America and how Purdue Pharma helped that happen."
.@SuzanneNossel is reading Mike @McFaul's Cold War Hot Peace, "a vivid insider account of his time managing US-Russia relations during the Obama Administration that offers a critical foundation for understanding how ties have further deteriorated since."
Lily Philpott is reading @Emilferrisdraws's graphic novel My Favorite Thing is Monsters, which follows a young girl named Karen Reyes as she tries to solve the murder of her upstairs neighbor, a Holocaust survivor, against the turbulent background of 1960s Chicago.
.@JRTtager just finished The Black Hand by @stephantalty, "the incredible true story about an Italian-American detective's efforts to bring down a deadly proto-Mafia crime ring while dealing with wider anti-immigrant sentiment at the turn of the last century."
Kim Chan is reading James Luna: Emendatio, the catalog from the his Venice Biennale installation in 2005. Luna is an internationally-renowned artist "who contributed immensely to catalyzing awareness that indigenous artists are contemporary visionaries rather than artifacts."
Stacy Valis is re-reading Black Sheep Boy by Martin Pousson, "a gorgeous, heartbreaking, redemptive story of a young gay man growing up on the Bayou, a dark, haunting, fairy tale told in poetic prose" (and the winner of the PEN Los Angeles award for Fiction in 2017!).
.@jafreenmu is reading Winners Take All by @AnandWrites, "a really candid and brutally honest take on philanthropy, capitalism, and inequality."
On her 7th-grade son's recommendation, @MLRStrategy just finished A Long Walk to Water by @LindaSuePark, which tells the true story and plight of Salva Dut, a Lost Boy from Sudan, and "made for a teary yet inspired subway ride."
.@thomasomelia just read (and reviewed for @aminterest) @NormEisen's forthcoming The Last Palace: Europe’s Turbulent Century in Five Lives and One Legendary House, "a marvelous work of history thinly disguised as a memoir of Eisen’s time as Obama's envoy to the Czech Republic."
.@caits_meissner is reading Conflict Is Not Abuse by @sarahschulman3, which "asks hard and necessary questions about society’s perpetrator/victim binary, inviting close examination of how our own rigid self-concepts might be functioning as propellants of a punitive culture."
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From Crazy Rich Asians to Cherry, our #FridayReads:
.@jafreenmu is re-reading Tahmina Anam (@tahmima)’s novel The Bones of Grace, “a story that draws you in so deeply into the world of its characters, I'm as captivated the second time around as I was when first reading it!”
.@MLRStrategy is reading Crazy Rich Asians by Kevin Kwan, “a light beach read that’s been perfect for summer; a love story spanning socioeconomic and class divides that plays out amongst the uber-wealth of Singaporean high society. Will see the movie next!”
Some recommendations and recent reads from our staff: #FridayReads
.@NadxiNieto is reading Fruit of the Drunken Tree by @ingrid_rojas_c, a "stunning debut novel about violence and mythmaking that follows the lives of two women in Escobar-era Bogotá."
Julie Trebault is reading @ArmisteadMaupin's Tales of the City, a “strongly addictive saga that intertwines stories of men and women looking for sex, love, and themselves in the rousing, tolerant, and cozy atmosphere of San Francisco in the 1970s.”
We are thrilled to announce our 2018 PEN Out Loud season, presented in partnership with @strandbookstore! Mark your calendars: bit.ly/2w0L8Z1
On 9/20, Pulitzer Prize-winning journalist @joseiswriting will be in conversation with Latino USA’s @Maria_Hinojosa for the launch of Dear America: Notes of an Undocumented Citizen bit.ly/2MmkJ25
In a few minutes, PEN America will be co-hosting a screening of Arnold Kurov’s “The Trial,” a documentary about Oleg Sentsov, together with @MovingImageNYC. The screening will be followed by a discussion with @mashagessen and the producer Max Tuula. Stay tuned for updates!
“People in Eastern Europe really know what this regime is,” producer Max Tuula is about to explain the process of creation of “The Trial.” It is the first screening in the U.S. #FreeSentsov
“He [Sentsov] is the kind of person who would go and do things, like he is doing with his current hunger strike, because he wants to make an impact,” says Max Tuula about Oleg Sentsov, who he knows personally. “This is why the Russian regime chose him as a scapegoat.”