.@TheDanWells Dan Wells “First Chapters, First lines”. He's talking SUPER FAST so this is going to be a slightly delayed livetweet stream as I frantically take notes. #wxr18
@TheDanWells .@TheDanWells#WXR18 Early writers freak out over first chapters. Chillax. Just write whatever and come back and fix it later. or keep going til it gets good and cut the bad parts later. or Pantser: write chapter 1 last. however it works
.@TheDanWells#WXR18 What is the purpose of a first chapter? Better: what is the first chapter supposed to accomplish. 1. introduce the book; 2. make us love the main character; 3. Grab the reader's attention.
.@TheDanWells#WXR18 1. Introduce the book involves these: a. who's the main character? what's the setting? what's the theme? what's the emotional conflict?
.@TheDanWells#WXR18 Theme! Flashbacks to AP English. Themes are awesome and every book has one even if it wasn’t put there on purpose. Star Wars theme: sometimes you need to rely on something bigger than yourself. What is your theme? Doesn’t have to be complicated.
.@TheDanWells#WXR18 what is the emotional conflict? What’s going on in the world vs. what’s going on in the main character’s head. emotional conflicts are INTERNAL. who has to change in order for the conflict to resolve? the character. e.g. stand up for self, peace with past
.@TheDanWells#WXR18 Plot conflict is EXTERNAL. Almost never shows up in chapter 1. Start your book one scene before the inciting incident. Now don't think about it again (in the first chapter).
.@TheDanWells#WXR18 Reads the first page of Howl's Moving Castle, which looks awesome, to show how everything about the book is introduced in the first page.
.@TheDanWells#WXR18 2. Make us love the main character. what do they do that makes you love them? what do they do in the first chapter that makes you love them? how do they show these qualities?
.@TheDanWells#WXR18 How do you show these qualities? 1. when they do/say something cool; 2. are really good at something; 3. demonstrate qualities we admire; 4. help people; 5. do something we wish we could do. e.g. Princess Leia, Ron Weasley, Tyrion Lannister, Gregory House
.@TheDanWells#WXR18 Characters who are reader surrogates are, by nature, often very flat and uninteresting, especially at first. Luke Skywalker, Harry Potter, Dorothy Gale. Not something to strive for.
.@TheDanWells#WXR18 Don't waste your reader dumps. First chapters need action and movement. Keep the pace up and verbs active. No info dumps.
.@TheDanWells#WXR18 How to avoid info dumps. Show don’t tell: don't describe when you can demonstrate. Use dialogue and action instead of flashback and narration. If you tell us something matters, show us why we should care.
.@TheDanWells#WXR18 3. Grab the reader’s attention. Why is this book cool? a. Great voice; b. Compelling world; c. Awesome characters; d. tantalizing mystery; e. something we've never seen before; f. shows us something old in a new way.
.@TheDanWells#WXR18 On voice: Sometimes all you need is a single word. characters and narrators have voices. Books can have attitudes. Language itself can be voice: beautiful, distinct, poetic. Don’t use voice in your first chapter unless you keep it up for the whole book
.@TheDanWells#WXR18 Prologues are not terrible. They have their place. Easy to do wrong. A lot of chapter 1’s have sneaky faux prologues. High 3rd person disconnected narration that serves function of prologue. You can get away with prologues by calling it ch 1. if you want to.
.@TheDanWells#WXR18 The first chapter is a promise to the reader of what comes next. How do you get them past the first page... or first line? (ahh!)
.@TheDanWells#WXR18 step 1: don't freak out: it's okay to pace it like a novel, editors/agents know you take time to get things set up. But Cram as much awesome as possible. Make sure first pages don’t suck.
.@TheDanWells#WXR18 How do you write a good first line? Don’t freak out - not all of these first lines are showstoppers.
Q: what is a good point in the story to think about first chapters?
.@TheDanWells: depends on your story process. Recommend using one of the early methods to start. He doesn’t do that: he’s an outliner. Writing first chapter first helps to focus him on the book. #WXR18
Q: If you’re writing a book with supernatural elements do you have to have that in the first chapter?
.@TheDanWells: you can get away with it but it’s hard. highly recommend hint about genre in 1st ch. or prologue to compensate e.g. Game of Thrones has magical zombies #WXR18
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.@mauricebroaddus#WXR18
What is key to dialogue? 1. Pay attention to how people speak.
Exercise: record a family conversation and transcribe what people say. Different generations, ages, backgrounds. Start to see how people talk. eg Gilmore Girls, Joss Whedon, Quentin Tarantino
.@mauricebroaddus#WXR18 2. Good dialogue only evokes how people really talk. You don’t want to write how people really talk (um, uh, cussing). Straddle the line between how people really talk and how we wish they’d talk.
.@dongwon#WXR18
Authors vs Writers. Anyone can be a writer. Big achievement! craft skills. MFA, writer’s groups. A professional author is a different job: career management, workflow, deadline/time management, networking, marketing and promotion, PITCHING.
.@dongwon#WXR18
Always be pitching. Your pitch is not only for agents, it’s also for publishers, editors, marketing/publicity, sales. Build a readership, network with your peers, connect with booksellers, convince your family. A good pitch is a key element of achieving goals.
K Tempest Bradford .@tinytempest Description, Language, and Writing Inclusive Fiction #WXR18
.@tinytempest#WXR18
These are things she’s learned, not things she knew. Ask, learn.
.@tinytempest#WXR18
Exercise: shows two pictures of two women and asks us to describe what they look like. Describing people who don’t look like you is another craft skill. Identity markers that students don’t usually touch on: race, class, religious status.
.@tithenai#WXR18
Audience questions: Why people don’t like poetry? High school English, rigidity of form, why is ambiguity a feature and not a bug, extraneous to story (e.g. LotR: @tithenai disagrees), make you work
.@tithenai#WXR18
Talking about her experience writing a poem at the age of 7, parents were overjoyed about her art, to be a poet is a responsibility in her family to speak truth to power, following grandfather who wrote humorous poetry while incarcerated
Up next! @PiperJDrake Piper J. Drake - Incorporating Romantic Elements in Any Story #WXR18 (there are handouts and one is labelled explicit! :O)
.@PiperJDrake#WXR18
What are romantic elements? Any moment that creates intimacy between characters. Sex =/= intimacy. Need intimacy to create a believable romance. Your reader will start to ‘ship that couple and that is gold.
.@PiperJDrake#WXR18
Both romances and thrillers are emotional rollercoasters. Romance is about hope. Thriller is about justice. Both create strong emotional bonds between the readers and characters.
Next up: .@MaryRobinette Mary Robinette Kowal - Diagnosing Story Problems #WXR18
.@MaryRobinette#WXR18
Writer’s block can be a way of diagnosing that something’s gone wrong with a story. Four reactions: 1) drowsy: suddenly sleepy; 2) staring: how long can I look at the blank screen without putting words down; 3) restless: why am I suddenly in the kitchen?
.@MaryRobinette#WXR18
Drowsy writer's block: your story is boring you. back up to the last point that excited you and make a different, more dynamic choice.