#1800sWeek!
Okay! So! Works like these fall under the category of "Orientalism". They do not accurately represent any culture or people, and were created as sort of Western fantasies of "The Middle East" and/or "Asia". The history of the term and the concept are complicated.
In 1978, Edward Said redefined the term Orientalism to describe a pervasive academic & artistic Western tradition of prejudiced interpretations of the Eastern world, shaped by the cultural attitudes of European imperialism in the 18th and 19th centuries. en.wikipedia.org/wiki/Orientali…
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Giuseppe Castiglione, also known as Lang Shining (郎世寧), was born on July 19, 1688, in the central San Marcellino district of Milan, Italy. At the age of 27, he received instructions to go to China where he served as an artist at the imperial court of three emperors.
While in China, Castiglione took the name Lang Shining (郎世寧), and adapted his Western painting style to Chinese themes and taste. This painting of Xiang Fei (A woman) in European Armour was made c.1760, and resides in National Palace Museum, Taipei.
Giuseppe Castiglione
Kazaks offering horses in tribute to the Emperor Qianlong
China/Southern Italy (1757)
Ink and colors on paper; hanging scroll. 45.5 x 269 cm
Réunion des Musées Nationaux
Anton Domenico Gabbiani
Portrait of Three Musicians of the Medici Court
Italy (c. 1687)
oil on canvas, 141 x 208 cm.
Galleria dell'Accademia, Florence
One of the more frustrating trends I’ve noticed in archives & museum collections is how many paintings that, based on the text descriptions, you would have absolutely no clue that a person of color is in it.
The boy with the parrot was probably the caretaker of the menagerie. The same artist did several other portraits of important servants in the Medici household in groups. commons.wikimedia.org/wiki/Category:…
Portrait of Elihu Yale, the 2nd Duke of Devonshire, Lord James Cavendish, Mr. Tunstal, and a Page
England (c. 1708)
Oil on Canvas, 201.3 x 235.6 cm.
Yale Center for British Art collections.britishart.yale.edu/vufind/Record/…
So, a lot of people have misunderstandings about the role of pages like the one in this painting. Yes, there’s a massive class difference between the page pictured, and the pampered children of the gentry visible behind the page that would never be bridged.
But at the same time, the page would have social, financial and other advantages well above your “average” person in that area at that time. As a member of the Duke’s household, he would have received a genteel education, instruction in social graces, fine clothing+
I happened across some discussions about me pretty much by accident, and honestly I encourage ppl to think critically about what I post. But. If the fact that I make errors leads you to believe this info is inherently "untrustworthy", please reconsider ur concept of education
Something that keeps me so fired up about doing this is that I get to learn as much as I teach here. Another is that I'm basically liveblogging the process of research. I'm fine if ppl want to follow without that kind of engagement, but the idea is you can do this too.
The only reason I bring this up is because I want people to really think about *who* we leave room for to get it wrong sometimes, who gets the space to learn, and how its those working *outside* traditional frameworks we give the *least* leeway and freedom to.
Tabernacle in the Namban Style
Japan, Spain (c. 1580-90s)
Urushi, wood, mother-of-pearl and silver. 34,4 x 57,8 x 32,2 cm.
Monasterio de la Encarnación, Madrid.
Patrimonio Nacional. Spain.
"The namban liturgical lacquers that have survived to the present day in churches, monasteries and convents [...] provide tangible evidence of the cross-cultural interaction that occurred between the East and West, during the so-called ‘Christian century’ in Japan."
I <3 Hispano-Moresque ware! This style of pottery was created in Al-Andalus (Muslim Spain), and incorporated/blended Islamic & European elements. It was the most elaborate and luxurious pottery being produced in Europe until the 15th century.
This lusterware is interesting from a lot of different angles: the political events that led to its creation, the science that goes into its production, and its social & economic functions. Also VERY PRETTY, like most everything from medieval Iberia: metmuseum.org/toah/hd/ccmi/h…
Some of the most famous pieces are the Alhambra Vases. The originals would have been from the 1300s. To give an idea of the impact & detail, Joseph-Théodore Deck made a copy for exhibition in the 1860s or so that resides at @V_and_A collections.vam.ac.uk/item/O84929/al…