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Dec 25, 2017 15 tweets 6 min read Twitter logo Read on Twitter
As it's #Christmas there really is only one story I can tell tonight:

Dum dum dum dum
DUM DUM DUM DUM...
The number of epic stories associated with the 1980 Flash Gordon movie is legion. Today I'll share a few with you, but there are many, many more...
Initially George Lucas asked Dino De Laurentiis for the rights to make a film based on the 1930s Flash Gordon. De Laurentiis declined, so Lucas wrote his own story - Star Wars
De Laurentiis - a charismatic Italian movie mogul - initially wanted Federico Fellini to direct Flash Gordon. When Fellini declined he tried Sergio Leone, before finally asking Nicolas Roeg, who was sacked after a year's pre-production. Mike Hodge was the eventual director.
Lorenzo Semple Jnr - who had worked on the 1966 Barman TV show - eventually created a Flash Gordon script De Laurentiis was happy with. However it was very badly translated into Italian, so De Laurentiis didn't spot the comedy kitsch nature of the script.
Danilo Donati was lead designer for the Flash Gordon film, though he never read the actual script. One early idea he had was to build an actual three lane highway through the forest of Arboria set. The trees of the Aboria set were so big the cameras couldn't be set up properly.
Both Kurt Russell and Arnold Schwarzenegger were considered for the title role of Flash Gordon. In the end De Laurentiis's mother saw Sam Jones on a TV quiz show and demanded he be hired, as his lack of acting background would add authenticity to Flash's character.
Brian Blessed got the part of Vultan by marching into De Laurentiis's office, jabbing his finger at the character in the comic strip, and bellowing "it's bloody ME!"

"No," replied the confused producer, "It's a comic book."
Director Mike Hodges originally wanted Pink Floyd to do the music for Flash Gordon. However Queen were recommended to De Laurentiis instead, leading to the confused producer's famous quote "but who are the queens?"
Script mix-ups dogged the lroduxtion of Flash Gordon. At one point Melody Anderson spent six hours in make-up being turned into a giant vampire spider, before De Laurentiis pointed out it had nothing to do with the film and ordered her to change.
The Hawkmen actors could not sit down on set because their costume wings would rip into their backs. Instead they spent their rest periods on set lying on their stomachs and struggling to get up.
De Laurentiis was furious when he discovered the English technicians howling with laughter at the Flash Gordon rushes. His Italian film crew didn't speak enough English to report back that the film was headed in a very different direction from his original epic vision.
Sam Jones fell out with De Laurentis before Flash Gordon was completed and refused to co-operate on post-production. Some (possibly all) of Flash's dialogue had to be re-dubbed using somebody else's voice.
Arthur Byron Cover wrote the novelisation of the Flash Gordon screenplay. I have a pristine copy of this, and I can confirm it is pure unadulterated smut from beginning to end.
There are many wonderful stories about the making of Flash Gordon. But the most important thing is this: nobody should ever, ever try to re-make it. Just. Don't.

More pulp stories another day...

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More from @PulpLibrarian

Dec 2, 2018
It is the greatest frog-worshiping zombie biker occult horror film ever made. Possibly the only one. It's certainly like no over movie you've ever seen.

Today in pulp, I look back at the 1971 classic Psychomania...
By the early 1970s British horror films were trying to get 'with it' to attract a younger audience. So it wasn't surprising that in 1971 screenwriter Arnaud d'Usseau tried to create a biker horror movie.
d'Usseau had previously written Horror Express, an Anglo-Spanish sci-fi/horror movie loosely based on John W. Campbell's novella Who Goes There. Christopher Lee, Peter Cushing and Telly Savalas did their best with the material.
Read 18 tweets
Oct 9, 2018
"The gun is good! The Penis is evil!" bellows a huge stone head floating over the Irish countryside. It's quite a strange start to any movie, but it's about to get even stranger...

This is the story of John Boorman's classic 1974 film Zardoz.
In 1970 director John Boorman began work on a Lord Of The Rings film for United Artists. It would be an unusual adaption; The Beatles would be the Hobbits and Kabuki theatre would open the movie . Alas the studio said 'No', but the idea of a fantasy film stuck with Boorman...
So in 1972, following the commercial success of Deliverance, John Boorman started work on Zardoz - a fantasy film into which he would cram many unorthodox ideas. Initially Burt Reynolds was to play the lead role of Zed, but pulled out citing other filming commitments.
Read 13 tweets
Oct 8, 2018
As it's #LibrariesWeek let's look back at Britain's favourite library book*: the 1977 Usborne Guide to the Supernatural World!

(*according to my readers)
Supernatural World was an anthology of three existing Usborne pocketbooks: Vampires, Mysterious Powers and Ghosts. As an Usborne hardback it was deemed perfect for the nation's libraries.
Usborne had previously fascinated and frightened readers with its 1977 World Of The Unknown series: a terrifying triptych of ghosts, monsters and UFOs. Supernatural World would continue in the same vein.
Read 12 tweets
Oct 7, 2018
It was a university course for the price of a packet of cigarettes: Pelican Books! Maybe the blend wasn't to everyone's taste, but there's no denying the addictive nature of the range.

Today in pulp I look back at the autodidact's bible...
In 1937, two years after Allen Lane founded Penguin books, the company decided on a new imprint to provide academic and intellectual non-fiction for the general public. Lane believed there was a market for “intelligent books at a low price” which he was determined to serve
Over its lifetime Pelican sold a quarter of a billion books covering almost 3,000 subjects. Lane apparently came up with the Pelican name when he overheard a woman at King’s Cross railway station mistakenly asking for a Pelican book instead of a Penguin one.
Read 14 tweets
Oct 7, 2018
📩PULP POSTBAG TIME!📩

And today's letter is home computer related...
Mr Derrick Wibley from Penge writes: "Dear PL, I recently invested in a 48k ZX Spectrum to help run my stationery business 'Penge Pens'. However I'm worried it's not powerful enough to meet the needs of my ambitious business expansion programme. What should I do?"
Well Mr Wibley fear not! The ZX Spectrum is a fully-scaleable integrated solution to your business needs - provided you buy the right peripherals!
Read 13 tweets
Oct 6, 2018
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.

Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.
Read 26 tweets

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