7 Reasons Scholars Are Teaching GET OUT & Why You Should Too –
I teach a @UCLA class, "The Sunken Place: Racism, Survival & the Black Horror Aesthetic." The linchpin: @JordanPeele’s Get Out. Last quarter, he surprised my class. @GetOutMovie#GetOut#BlackHorror#GetOutSyllabus
MASS INCARCERATION. Jordan Peele told my class: “When I had this image of Chris in this dark hole…I realized I was talking about the prison industrial system.” The system is “abducting black people and throwing them in holes.” @GetOutMovie#GetOut#BlackHorror#GetOutSyllabus
WHITE SUPREMACY. Jordan Peele tweeted that Get Out is a “documentary” because it allegorically documents the history of white supremacy and its effects on blacks. @GetOutMovie#GetOut#BlackHorror#GetOutSyllabus
LIBERAL RACISM. Rose says: “My dad totally would have voted for Obama for a 3rd term if he could have.” Get Out explores the difficulty of trying to create allyship w/whites when so much racism exists across political lines. @GetOutMovie#GetOut#BlackHorror#GetOutSyllabus
ISOLATION & ASSIMILATION. From the opening scene, when a black man is wandering lost in a white suburb, the film portrays the isolation of minorities in mostly white surroundings & fears of losing one’s identity to assimilation. @GetOutMovie#GetOut#BlackHorror#GetOutSyllabus
COVETING/ENVY OF BLACK BODIES. Get Out explores our society’s love-hate relationship with black bodies: coveting and envying blacks (think of the creepy dinner scene and the Coagula procedure) while also reviling blacks. @GetOutMovie#GetOut#BlackHorror#GetOutSyllabus
MICROAGGRESSIONS. “My man.” The family & party scenes in Get Out reflect a common black experience when whites in social/work settings ONLY see your blackness & fumble for conversation, i.e. Obama, Tiger Woods, sexual curiosity. @GetOutMovie#GetOut#BlackHorror#GetOutSyllabus
COMPLICITY OF WHITE WOMEN. The statistics matter: 53% of white women voted for Tr*mp. A higher percentage, 63 percent, voted for Roy Moore in Alabama. It’s a problem. Rose Armitage is complicit. Mom MARRIED into this family. @GetOutMovie#GetOut#BlackHorror#GetOutSyllabus
For a history of blacks in horror films & black horror films, you MUST get Horror Noire: Blacks in American Horror Films from 1890s to the Present by Robin R. Means Coleman @meanscoleman (2011). This book is everything for film lovers.
Black women are at the forefront of #blackhorror scholarship and storytelling. Learn more in Sycorax’s Daughters, an antho of short stories and poetry by black women, ed. by Linda D. Addison @nytebird45 , Susana Morris & Dr. Kinitra Brooks @k8dee16.
Want to learn more about #blackhorror & you’re not at UCLA or UCR? I’m launching my PUBLIC webinar The Sunken Place w/@StevenBarnes1 1/13. Six live lectures & SPECIAL GUESTS. :) Find out more: To reg: sunkenplaceclass.com
This is life for black people under y'all's police state. Black men, women and children. Don't complain to me about "identity politics." It's called trying to live. Trying to raise our families. Trying to survive.
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by @JuddLegum view original on Twitter
A year ago, my son & friends were as upset when they saw police handcuff a black teen at the park. "He wasn't doing anything." I wrote to our local police chief. To her credit, she called immediately to address it. But in the end, it was neighbors: "See something, say something."
So, yes, we need a drastic reimagining of policing practices in the U.S. The word "reform" doesn't even begin to cover it. But then we're still stuck with too many whites for whom black and brown skin alone is often cause for alarm. And the entitlement of calling police over B.S.
Since we have a week to fill until #BlackPanther I'll kick off an #AfrofuturismShortFilmFestival of black scifi, magical realism and horror. First up is PUMZI (2009) directed by @wanuri Kahiu of Kenya. I love this film!
(Use the hashtag to suggest faves.)