Ebony Elizabeth Thomas Profile picture
Jun 4, 2018 13 tweets 4 min read Read on X
A Birthday Cake for George Washington was challenged on multiple grounds, and rightfully so. In my opinion, its fundamental problem was that it was historically inaccurate, and perpetuates myths of the Founding. (See my recent article.)
I've co-authored 2 academic articles about this:
academia.edu/29353278/Much_…
academia.edu/36759519/Georg…

A third article is in progress, as is a book, #ReadingRacialHistory.

I'm also on the advisory board for a recent report on the teaching of US slavery:
tolerance.org/frameworks/tea…
I've also done plenty of threads on slavery in children's literature over the past 4 years. You can search @Ebonyteach & "slavery." This was my National Academy of Education/Spencer Postdoc research project, but I've been working on this issue for almost a decade now.
It is difficult to gain access to schools to research how we learn about slavery, difficult to trace how historical knowledge about slavery is gleaned through sites outside of K-16 history courses (e.g., picturebooks, novels, TV shows, films) & difficult to publish in this area.
As a researcher, when I've sought access to schools to study how slavery is being handled in literacy classes, I've gotten side-eyed. What's my motive for asking questions about slavery?

And both articles in print were quite a journey. (Grateful to the editors of both.)
The Teaching Tolerance report confirms my experiences over the past 6 years, which is why I was happy to sign on. When it comes to slavery, I'd argue that all Americans are united in a conspiracy of silence, where White guilt meets Black shame.

It's time for that to end.
Some of my mentors in the field (senior scholars who've been studying Black children's literature for decades) wanted to publish a response to that NYT editorial. But the NYT wasn't interested.

Once again, this is why compared to authors & journalists, critics have little power.
Instead of asking why critics, activists, parents, and others objected to picturebooks like A FINE DESSERT & A BIRTHDAY CAKE FOR GEORGE WASHINGTON, ask yourself how both stories could've been revised during the editorial process.

This is not about creators; it's about systems.
Taken together, even good children's books about slavery are leaving kids without enough information about what happened in the past, and why. Those misperceptions aren't corrected by textbooks in middle or high school, as the Teaching Tolerance report shows.
Now, I'd argue that no single children's book should shoulder that burden. But when do the horrors of United States history get taught? Especially when it's written into the Constitution that we have a right to be happy? politico.com/magazine/story…
If you missed Barbara Ehrenreich's BRIGHT SIDED when it came out a decade ago, it may be time to pick up a copy or listen to the audiobook.

As a culture, we don't like to think about unpleasant things. We also seem to believe in "positive confession." nytimes.com/2009/10/10/boo…
Why can't the United States face what happened in its past? Because our culture -- & this cuts across many demographics -- rewards "being positive."

We believe in magic. But we can't wish our way out of our present troubles. npr.org/templates/stor…
We need to face our history & ourselves. Otherwise, we're in trouble.
(I know all about what it means to wish, to hope, to dream. I wanted to escape into fantasy & fairy tales. But... if we die while we're in these dreams, we'll die in reality.)

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More from @Ebonyteach

Oct 7, 2018
Coffee & proofreading! Copyedits for #TheDarkFantastic are due in 48 hours.

Press suggested "Race and the Imagination from Harry Potter to the Hunger Games" as a subtitle. Why not "from Harry Potter to Black Panther?"

Because I'm writing another book about the Black fantastic.
One of the things my mentors told me is that it's one thing to write a lot of books. Quite another to write a book people wanna read.

The final version of #TheDarkFantastic was approved back in March. I'm not a supergenius like some of you -- my writing & thinking takes time.
I wanted Black Panther to land, have its impact, and read its aftermath & re-evaluation. I wanted to read what my colleagues in comics studies had to say about it.

I also wanted to watch the Year of YA Black Girl Fantasy, to see how audiences & critics reacted.
Read 10 tweets
Oct 6, 2018
This. (That's why I'm not holding my breath for the "blue wave," which is assuredly a myth. Around 50% won't give up their pedestal. Never have, never will.)
Here's a truth that's as American as apple pie: You're going to have a hard time convincing ~50% of WW to give up their promixity to the most powerful group in the nation.

The half that are already voting blue aren't economically or socially dependent upon conservative WM.
Every single gain in this country was hard won. Few of those gains were made by pleading with that 50%. In fact, they're the ones who transmit White supremacist ideology to each successive generation.

Don't believe me? Here's a quick video.
Read 6 tweets
Oct 5, 2018
Also, for those talking about Black mythology "beyond" or "outside of" slavery & Jim Crow -- there is no beyond, or outside of. Those experiences were the crucible. Our myths and folklore were created back then, because our ancestors were fully human, and humans create culture.
Why is it so difficult for us to look at our enslaved ancestors fully in the face & see them as not only completely human, but extraordinary?

Why do we reduce their lives to mere survival? Flight? Suffering?

What about their dreams? Hopes? Stories? Imagination?
If we don't understand them and their lives better, who will?
Read 6 tweets
Oct 5, 2018
I'm not sure if Octavia Butler was Black American or if her folks were from the Caribbean, but KINDRED is sort of Shakespeare for anyone wanting to build a Black North American fantastic world. She dealt with the problem of slavery way back in the 70s.
Plenty of challenges for building a North American Black fantastic:
1) Slavery, of course. How can you build SFF while incorporating that?
2) Also, it's not North America after all. This place is Turtle Island & belongs to 100s of Native nations -- have to take that into account.
3) What do you do about language? Naming people and places? Naming magical phenomena? Sounds cooler when it's not just plain old English.
4) What about religion? Many (not all) Black US folk are Christian & Muslim, and much of our history & folklore -- & myth -- involves faith.
Read 9 tweets
Oct 3, 2018
This was a follow-worthy Tweet. (Lots of thoughts about this.)
Honestly, this is why I spent time in #TheDarkFantastic examining the construction of race in the Western speculative imagination, and left Afrofuturism -- which I do value as a Black American, and a Diasporan -- alone.
There's been a lot of heat for (a few) African immigrants to the US for critiquing Black Panther, but I think that it's important for us to read what continental Africans have to say about it.

(And we have to listen to their refusal to be labeled with our constructs, too.)
Read 11 tweets
Sep 29, 2018
Thread. (Those of us who came of age in the 1990s had better language & definitions, but the culture was the same as described in the 1980s. Assault was viewed as your own fault. The Internet -- and especially the social Web -- changed everything.)
(Trigger and content warnings, pls mute) The vast majority of women who came of age before 1990 did not have adequate terminology or definitions for sexual violence. *My cohort was the first to have them, but there were violent sanctions & even social death for women who dared.*
We came of age in the 1990s.

1990s sitcoms and the culture in general gave us the language. But you risked social death if it wasn't a stranger. You risked being retraumatized. #DesireeWashington
Read 12 tweets

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