The realisation that #HarrietTubman died only just over a century ago, and her words are now being sung by an African American woman — the magnificent Claron McFadden — from a town (Rochester) that Harriet passed through on her missions, gives me goosebumps.
I don’t want to give away too much of @JeanLacornerie’s staging, but there are many moments that give me chills. One moment is where Harriet is ‘crowned’ in an intimate ritual that celebrates the hair that saved her from death when an overseer hit her head with a metal weight.
Another beautiful and spine-tingling moment is when Claron sings a version of Harriet’s own words in a beautiful dreamlike collage of acoustic and electronic sound—
‘When I reach the north I’ll watch my hands;
if the sun shines different upon me
I’ll believe I am free.’
So REAL.
I could say much more (I haven’t even mentioned Miwa Matreyek’s animations yet..!) but I think you all should just try and come see this show. It’s powerful stuff.
The moment I mean in particular happens near the end.
In response to Pilate's question 'What has he done to cause this uproar?', the soprano (representing the childlike Christian soul) has summed up all of Jesus' good deeds. She colours these beautifully according to the text.
The music intensifies, reaching a high point at the line 'he raised up the weary and grieving'. She (sung here by Jo Vincent) is expressing ardent love and thrilled admiration for Jesus' miraculous and benevolent deeds.