They put Zack in an elevator. He panics and bites his mother.
You have to understand that this kid is kept in the basement of their home doing ABA drills for 40 hours a week. He's locked into his room at night and drugged.
"I just hope my stunned visage is sufficient to communicate my deep regret for bringing Zack here in the first place. for overestimating Zack's ability to attend a single birthday party like a normal child."
I don't offer it to many ppl bcs I'm usually disappointed. It's just been my life experience.
Today I've realized that I'm likely to be friends for a very long time with one person I haven't talked to much lately bcs of life/baby stuff.
& I
sadly realized that two other peeps I had in the *friend* category have been demoted to *ppl I talk to sometimes*.
I don't really understand how or why that happens for me. It's very clear in my head, it's not something that's intentional in any way.
It just happens.
Usually
something happens that makes me realize they obviously don't feel the same way abt me as I did abt them.
Like if they considered us *casual mates* and I thought *found family*, or if they thought *potential love interest* and I thought *fun person to chat online with*
I snort every time I see people down on mobile eyebrows for writing stuff.
It's ridiculous. Do all y'all writers ever actually LOOK at another human's face? Eyebrows, lids & corners of the eyes are the MOST mobile & expressive parts of our faces.
Even more so than the mouth.
I am quite proud to cling to my eyebrow motions in writing. My brows are the easiest way for you to tell how I'm feeling.
I can control my mouth and eyes okay, brows? Not so much.
Wiggly eyebrows are GOOD when describing characters. As with anything it shouldn't be overused,
but it's like that REALLY AWFULLY BAD ADVICE to get rid of all instances of *was*.
Seriously, have you ever tried that? (I have, it equals a very horrible piece of prose.)
With all writing advice, please, please, please remember that it's YOUR story. YOU write it how y'all see