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#GermanExpressionism
Circa 1905 - 1935
“2 principal groups emerged. The Bridge (Die Brücke) in Dresden and The Blue Rider (Der Blaue Reiter) in Munich, each forming artistic communities w/ aspirations to change art & society.”
Blue Horse I by Franz Marc, 1911
#GermanExpressionism
Circa 1905 - 1935
“2 principal groups emerged. The Bridge (Die Brücke) in Dresden and The Blue Rider (Der Blaue Reiter) in Munich, each forming artistic communities w/ aspirations to change art & society.”
Blue Horse I by Franz Marc, 1911
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The aesthetic development of the movement can be traced to the Saxon Worpswede Group & the Parisian Fauvist movement. It was also influenced by Van Gogh's pioneering expressionist paintings like Wheatfield with Crows, and Starry, Starry Night by Vincent Van Gogh
The aesthetic development of the movement can be traced to the Saxon Worpswede Group & the Parisian Fauvist movement. It was also influenced by Van Gogh's pioneering expressionist paintings like Wheatfield with Crows, and Starry, Starry Night by Vincent Van Gogh
#GEPs typically distort color, scale & space to convey their subjective interpretation abt the objects/scenes they painted. WWI had a huge impact, so 1915 onwards, #GE became a bitter protest move’t as well as a style of modern art.
👉🏼Emil Nolde, A Long Time
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👉🏼Emil Nolde, A Long Time
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The center for #GE was Sturm Gallery, in Berlin.
“Two principal groups emerged. The Bridge (Die Brücke) in Dresden & The Blue Rider (Der Blaue Reiter) in Munich, each forming artistic communities w/ aspirations to change art & society.”
The Face of Max Pechstein
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“Two principal groups emerged. The Bridge (Die Brücke) in Dresden & The Blue Rider (Der Blaue Reiter) in Munich, each forming artistic communities w/ aspirations to change art & society.”
The Face of Max Pechstein
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“Die Brücke group developed a radical anti-trad style characterized by vivid non-naturalistic color & emotional tension.”
Erich Heckel, Ernest Ludwig Kirchner, Emil Nolde, Max Pechstein, Karl Schmidt-Rottluff & Otto Mueller.
Frau mit Tasche by Karl Schmidt-Rottluff
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Erich Heckel, Ernest Ludwig Kirchner, Emil Nolde, Max Pechstein, Karl Schmidt-Rottluff & Otto Mueller.
Frau mit Tasche by Karl Schmidt-Rottluff
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#GermanExpressionism
Die Brücke
Karl Schmidt-Rottluff
Gutshof in Dangast (Farm in Dangast)
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Die Brücke
Karl Schmidt-Rottluff
Gutshof in Dangast (Farm in Dangast)
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#GermanExpressionism
Die Brücke
Nidden Coastline with Fishing Boats Hermann Max Pechstein
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Die Brücke
Nidden Coastline with Fishing Boats Hermann Max Pechstein
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In Munich, the ‘Blue Rider’ group (Der Blaue Reiter), were Inspired by Medieval Christianity & chivalry, & used symbol of a blue rider on a horse but rejected a uniform style.
Wassily Kandinsky, Paul Klee, Alexej von Jawlensky, Franz Marc, August Macke, and Gabriele Münter
Wassily Kandinsky, Paul Klee, Alexej von Jawlensky, Franz Marc, August Macke, and Gabriele Münter
#GermanExpressionism
Der Blaue Reiter
Above: Tiger by Franz Marc
Below: August Macke, Fashion store window
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Der Blaue Reiter
Above: Tiger by Franz Marc
Below: August Macke, Fashion store window
#PAMFAM #PAM
#GermanExpressionism
Der Blaue Reiter
Mädchen mit roter Schleife by Alexel von Jowlensky
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Der Blaue Reiter
Mädchen mit roter Schleife by Alexel von Jowlensky
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#GermanExpressionism
Der Blaue Reiter
Paul Klee, Right Angles, Silver Border on Four Sides, 1915
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Der Blaue Reiter
Paul Klee, Right Angles, Silver Border on Four Sides, 1915
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