Read on Twitter
π#AshCanSchoolπ
In the early 20th century, a group of eight American realist painters based in New York City organized & established an influential American genre in 20th century painting.
Robert Henri - Cafferty - 1926
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
In the early 20th century, a group of eight American realist painters based in New York City organized & established an influential American genre in 20th century painting.
Robert Henri - Cafferty - 1926
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
βThe Eightβ initial painters included Robert Henri, (leader), Everett Shinn, John Sloan, Arthur B. Davies, Ernest Lawson, Maurice Prendergast, George Luks & William J. Glackens.
Robert Henri - Snow in New York" (1902)
πΏππππΏ
#PAM #PAMFTW #AshCanSchool
βThe Eightβ initial painters included Robert Henri, (leader), Everett Shinn, John Sloan, Arthur B. Davies, Ernest Lawson, Maurice Prendergast, George Luks & William J. Glackens.
Robert Henri - Snow in New York" (1902)
πΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
βThe Eightβ later joined with artists
Edward Hopper, Glenn Coleman, Eugene Higgins, Jerome Myers & George Bellows.
Robert Henri - Eva Green
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
βThe Eightβ later joined with artists
Edward Hopper, Glenn Coleman, Eugene Higgins, Jerome Myers & George Bellows.
Robert Henri - Eva Green
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Post their 1st exhibition in 1908, one critic labeled their work as belonging to βThe Ash Can Schoolβ as an insult. The name stuck.
Everett Shinn - Fifth Avenue - 1910
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Post their 1st exhibition in 1908, one critic labeled their work as belonging to βThe Ash Can Schoolβ as an insult. The name stuck.
Everett Shinn - Fifth Avenue - 1910
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
This critique stemmed from the gritty urban subject matter and the preferred dark color palettes (scraped from the bottom of an ash can).
Back Row, Follies Bergere by Everett Shinn
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
This critique stemmed from the gritty urban subject matter and the preferred dark color palettes (scraped from the bottom of an ash can).
Back Row, Follies Bergere by Everett Shinn
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
βThe Eightβ like many innovative & influential groups of artists rebelled against the academic & popular aesthetic traditions of the day (pretty pastoral scenes & tableaux from mythology).
Everett Shinn - Rehearsal of the Ballet
#PAM #PAMFTW #AshCanSchool
βThe Eightβ like many innovative & influential groups of artists rebelled against the academic & popular aesthetic traditions of the day (pretty pastoral scenes & tableaux from mythology).
Everett Shinn - Rehearsal of the Ballet
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
βThe Eightβ established their own artistic society in New York & set out to create a uniquely American painting genre competitive with European standards.
John Sloan - Sun And Wind On The Roof
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
βThe Eightβ established their own artistic society in New York & set out to create a uniquely American painting genre competitive with European standards.
John Sloan - Sun And Wind On The Roof
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
The Ash Can School was more revolutionary in its subject matter (gritty urban reality of the poor & disenfranchised) rather than its style.
John French Sloan - The Haymarket (1907)
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
The Ash Can School was more revolutionary in its subject matter (gritty urban reality of the poor & disenfranchised) rather than its style.
John French Sloan - The Haymarket (1907)
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
These artists believed what was real and true in life was what was beautiful and what constituted βart.β
Election Night by John Sloan, 1907.
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
These artists believed what was real and true in life was what was beautiful and what constituted βart.β
Election Night by John Sloan, 1907.
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Ash Can School paintings have a loose and spontaneous style, very different from the polished techniques taught in the American art academies of the period. (#PreRaphaelite/Neo-Classical)
A Greater Morning - Arthur B. Davies
πΏππππΏπππΏππππΏ
Ash Can School paintings have a loose and spontaneous style, very different from the polished techniques taught in the American art academies of the period. (#PreRaphaelite/Neo-Classical)
A Greater Morning - Arthur B. Davies
πΏππππΏπππΏππππΏ
π#AshCanSchoolπ
For example, Ash Can painters preferred a βslap-dash, rapid handling of the paint left individual brushstrokes applied thickly.β
George Luks - Allen Street - 1905
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
For example, Ash Can painters preferred a βslap-dash, rapid handling of the paint left individual brushstrokes applied thickly.β
George Luks - Allen Street - 1905
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Ash Can painters preferred a dark & subdued palette, a result of Robert Henriβs trip to Europe, where he became influenced by the work of Goya, Velazquez, Hals and Manet.
Ernest Lawson - The Pigeon Coop
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Ash Can painters preferred a dark & subdued palette, a result of Robert Henriβs trip to Europe, where he became influenced by the work of Goya, Velazquez, Hals and Manet.
Ernest Lawson - The Pigeon Coop
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Luks, Sloan, Glackens, and Shinn worked as newspaper illustrator-cartoonists & found inspiration capturing everyday life they found about the streets of NYC.
George Luks - The Secret
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Luks, Sloan, Glackens, and Shinn worked as newspaper illustrator-cartoonists & found inspiration capturing everyday life they found about the streets of NYC.
George Luks - The Secret
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
The artists presented unidealized views of city life in the saloons, tenements, pool halls, and slums
Maurice Prendergast - Boston - 1905
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
The artists presented unidealized views of city life in the saloons, tenements, pool halls, and slums
Maurice Prendergast - Boston - 1905
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
βSome members adopted a rough, realistic style, utilizing flashy brushwork on a dark ground in a manner reminiscent of Γdouard Manet & Gustave Courbet.β
Revere Beach by Maurice Prendergast, 1896
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
βSome members adopted a rough, realistic style, utilizing flashy brushwork on a dark ground in a manner reminiscent of Γdouard Manet & Gustave Courbet.β
Revere Beach by Maurice Prendergast, 1896
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Prendergast enjoyed the decorative patterns of color he found in the work of the French Nabi group in his interpretations of the American landscape.
Maurice Brazil Prendergast, Il Canal Grande, Venezia, 1898-99
ππππΏπππΏπππ
#PAM #PAMFTW #AshCanSchool
Prendergast enjoyed the decorative patterns of color he found in the work of the French Nabi group in his interpretations of the American landscape.
Maurice Brazil Prendergast, Il Canal Grande, Venezia, 1898-99
ππππΏπππΏπππ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Davies painted dreamy, twilight scenes evolved from romantic allegories rather than from contemporary life.
Pacific Parnassus, Mount Tamalpais by Arthur Bowen Davies ca. 1905.
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Davies painted dreamy, twilight scenes evolved from romantic allegories rather than from contemporary life.
Pacific Parnassus, Mount Tamalpais by Arthur Bowen Davies ca. 1905.
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Ladies of the Rain by Maurice Prendergast, 1893
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Ladies of the Rain by Maurice Prendergast, 1893
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Maurice Prendergast, la Porte Saint-Denis, Paris
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Maurice Prendergast, la Porte Saint-Denis, Paris
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Lawson adopted a style that was imaginatively atmospheric.
The Harlem River from High Bridge
by Ernest Lawson
πΏππππΏπππΏππππΏ
Lawson adopted a style that was imaginatively atmospheric.
The Harlem River from High Bridge
by Ernest Lawson
πΏππππΏπππΏππππΏ
π#AshCanSchoolπ
βIn 1908, as a protest against prevailing restrictive academic exhibition procedures the βEightβ organized a historic exhibition that became a symbol of rebellion in American & modern art.β
Hester Street 1905 - George Luks
πΏππππΏπππΏππππΏ
βIn 1908, as a protest against prevailing restrictive academic exhibition procedures the βEightβ organized a historic exhibition that became a symbol of rebellion in American & modern art.β
Hester Street 1905 - George Luks
πΏππππΏπππΏππππΏ
π#AshCanSchoolπ
βThe show was revolutionary in that it was the first exhibit that was self-organized & self-selected by a group of related artists, without a jury & prizes.β
William James Glackens - Sledding in Central Park - 1912
πΏππππΏπππΏ
#PAM #PAMFTW #AshCanSchool
βThe show was revolutionary in that it was the first exhibit that was self-organized & self-selected by a group of related artists, without a jury & prizes.β
William James Glackens - Sledding in Central Park - 1912
πΏππππΏπππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
βThis type of non-juried exhibition became the model for one of the most famous exhibits in the history of Modern Art: The Armory Show of 1914.β
L'Aperitif - 1926 - William J. Glackens
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
βThis type of non-juried exhibition became the model for one of the most famous exhibits in the history of Modern Art: The Armory Show of 1914.β
L'Aperitif - 1926 - William J. Glackens
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
βThe Ashcan school paved the way for the development of a vital & native trend in American painting of the 20th century.β
William James Glackens - Bathing at Bellport, Long Island - 1912
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
βThe Ashcan school paved the way for the development of a vital & native trend in American painting of the 20th century.β
William James Glackens - Bathing at Bellport, Long Island - 1912
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Edward Hopper - Nighthawks - 1942
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Edward Hopper - Nighthawks - 1942
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Edward Hopper - Chop Suey - 1929
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Edward Hopper - Chop Suey - 1929
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Edward Hopper - Automat - 1927
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Edward Hopper - Automat - 1927
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Manetti Lane - Glenn O.Coleman
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Manetti Lane - Glenn O.Coleman
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Back cover of The Masses - December 1914 - Glenn O. Coleman
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Back cover of The Masses - December 1914 - Glenn O. Coleman
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Glenn Coleman - Street Scene, Lower New York.
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Glenn Coleman - Street Scene, Lower New York.
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
The Black Cloud - Eugene Higgins
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
The Black Cloud - Eugene Higgins
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Eugene Higgins
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Eugene Higgins
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Jerome Myers
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Jerome Myers
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Jerome Myers - In Lower New York - 1926
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Jerome Myers - In Lower New York - 1926
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
George Bellows - Stag at Sharkeyβs
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
George Bellows - Stag at Sharkeyβs
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
George Bellows - The Lone Tenement
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
George Bellows - The Lone Tenement
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Influencer:
Francisco Jose de Goya
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Influencer:
Francisco Jose de Goya
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Influencer:
Diego VelΓ‘zquez
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Influencer:
Diego VelΓ‘zquez
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Influencer:
Frans Hals - Boy Playing the Violin
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Influencer:
Frans Hals - Boy Playing the Violin
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Influencer:
Γdouard Manet - Cafe
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Influencer:
Γdouard Manet - Cafe
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Influencer:
The kill of deer - Gustave Courbet
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Influencer:
The kill of deer - Gustave Courbet
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Everette Shinn - Window Shopping - 1903
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Everette Shinn - Window Shopping - 1903
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
Everett Shinn - Concert Stage - 1905
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Everett Shinn - Concert Stage - 1905
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
The Blue Plaid Dress (Annie) by Robert Henri
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
The Blue Plaid Dress (Annie) by Robert Henri
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
π#AshCanSchoolπ
ππΌPlease jump in and add your favorites from this era or images influenced by this movement.
ππΌColoring outside the lines is welcome & encouraged.
πΏππππΏπππΏππππΏ
#PAM #PAMFAM #Surrealism
ππΌPlease jump in and add your favorites from this era or images influenced by this movement.
ππΌColoring outside the lines is welcome & encouraged.
πΏππππΏπππΏππππΏ
#PAM #PAMFAM #Surrealism
π#AshCanSchoolπ
If you enjoyed this thread please check out #POPART, #GermanExpressionism, #PreRaphaelites, #Dadaism & #Surrealism.
Next up? Neo-Classism, Cubism, Expressionism, Fauvism or ?
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
</end>
If you enjoyed this thread please check out #POPART, #GermanExpressionism, #PreRaphaelites, #Dadaism & #Surrealism.
Next up? Neo-Classism, Cubism, Expressionism, Fauvism or ?
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
</end>
π#AshCanSchoolπ
Salome by Robert Henri
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
Salome by Robert Henri
πΏππππΏπππΏππππΏ
#PAM #PAMFTW #AshCanSchool
unroll
β’ β’ β’
Missing some Tweet in this thread? You can try to
force a refresh
γ
